5/50
Duo of Sebastiaan and Ruud (a teacher and a doctor) who met through the second-hand Eurorack market and immediately recognized a kindred spirit in one another. They share a similar approach to both gear and live performance, viewing Eurorack less as a programming environment designed to achieve a predetermined result and more as an instrument that requires practice, skill, and continual exploration.
Both walk the fine line between improvisation and structure, creating performances that remain engaging, coherent, and surprising. Always eager to exchange ideas, teach, and learn from others, they founded Eurorack Clinic at the end of 2024 as a platform for organizing events, sharing knowledge, and bringing together like-minded musicians and enthusiasts.
Julian Edwardes
Julian Edwardes (UK/NL 1979) is a sound artist from the Netherlands. In his work he explores nonlinear systems, electro-static noises and system failure. He mainly uses a Serge/CGS Modular synthesizer, magnetic field detectors, computer, and custom-built electronic devices.
Julian lives and works in Breda the Netherlands. Listen to his most recent album, Sediment, here.
Roberto Auser
Roberto Auser is a Dutch artist and renegade designer (real name Derk Reneman) whose music moves between suspenseful synthesizer soundtracks, obscure 80s-tinged ambient and minimal electronics, and pounding electro and industrial techno. Each work is a chapter in a futuristic mythology told through what he calls audiographics. His aliases include The Wheel of Rituals, Bardar, Silver Age People and Kaval. A regular at Intergalactic FM Festival since its first edition, he performs live on modular synthesizer.
Sybren Danz
Old school rave, the Commodore Amiga and SL1210’s are his early influences. Later on those became the Akai MPC and hardware synths which are still there to this day, the synths now partly DIY and modular after his years at STEIM. Listen to his track Dizzit here.
NØ-1
NØ-1 (Lou Lévêque) is a Brussels-based composer and electronic musician. Their music moves between IDM, noise and experimental electronics, with a strong place given to improvisation and experimentation. Deeply motivated by questions of gender, mental health, vulnerability and community care, NØ-1 looks for forms of comfort, resistance and healing, creating spaces where listening can become something physical, intimate and collective.